11 December - 4 january 2026
End of The Alley featured artworks by Stockholm based artist Konrad Lidén.
Lidén’s artistic practice draws from cultural public domains such as folklore, comics and popular narratives. His sculptures and installations take shape as drawings translated into three dimensional forms. The objects act as symbolic markers, offering a hint of places and atmospheres through a visual vocabulary that feels familiar yet becomes subtly distorted and ambiguous.
For this exhibition the artist shaped an indeterminate past tense, populated by gothic windows, lamps casting light into the darkness, and a barrel with holes for watching through. These elements could belong to a narrow alley behind a church or to a place where one can hide and observe quietly at a distance.
The exhibition placed itself in an imaginary alley between playfulness and disquiet, between nostalgia and distortion with each element retaining the echo of a story already heard yet unknown.
End of The Alley featured artworks by Stockholm based artist Konrad Lidén.
Lidén’s artistic practice draws from cultural public domains such as folklore, comics and popular narratives. His sculptures and installations take shape as drawings translated into three dimensional forms. The objects act as symbolic markers, offering a hint of places and atmospheres through a visual vocabulary that feels familiar yet becomes subtly distorted and ambiguous.
For this exhibition the artist shaped an indeterminate past tense, populated by gothic windows, lamps casting light into the darkness, and a barrel with holes for watching through. These elements could belong to a narrow alley behind a church or to a place where one can hide and observe quietly at a distance.
The exhibition placed itself in an imaginary alley between playfulness and disquiet, between nostalgia and distortion with each element retaining the echo of a story already heard yet unknown.
Photo: Fredrik Åkum